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Fingerstyle Banjo

BANJOISTS !
Have you seen the new Clifford Essex Series of solos in Notation and Tablature ?
The staves are braced together with the fingering and positions marked above the Notation in the usual way. The Tablature is below, so that players who do not read notation can clearly see the recommended fingering by reference to the upper stave. This is extremely useful, because many solos by composers such as Joe Morley frequently employ unusual fingering in either hand for a special effect, or to manage a difficult passage.
This method of presentation also helps the notation reader, who is able to check the tablature staves to confirm which strings are being used where there may be some doubt.   A typical example of this is in HOE DOWN, by Joe Morley — not the one in his Tutor, but much better — where certain melody notes are played on the third string.
Other titles in this series are: Kentucky Days (Morley); Marching Through Georgia (Middleton); Banjo Boogie (Middleton) and Step Lively (Morley).  
See this section for details, and a short sound excerpt of the solos.

TABLATURE.

The difference between tablature and musical notation is that tablature tells you what to do with your fingers, but notation tells you what sounds to play.   From a practical point of view this means that given a piece of music in notation, a player can perform it on any instrument, assuming that it has the necessary range of sounds.   A piece in tablature can only be played on an instrument which has the correct tuning for that particular tablature.    The tuning is often shown at the beginning of the tablature, or is the tuning normally used for that instrument.

For the five-string banjo, tablature is shown on five horizontal lines, one above the other, just like a normal notation staff.   The top line represents the first string and the bottom line represents the short fifth string.  
 
The position of the fingers of the left hand on the frets is shown by numbers, so that a ‘0’ indicates the open string, a ‘1’ the first fret, and so on.  
 
Although playing from tablature avoids the need to learn the names of notes on the staff, it is still necessary to learn how the duration of sounds is shown, and the method is borrowed from notation, where the stem of a note can be plain, or have one, two or three small ‘tails’.   The plain stem indicates a quarter note, (called a crotchet in England); one tail shows an eighth note (quaver); which lasts for half the time of a crotchet; two tails show a sixteenth note, (semi-quaver); and three tails show a thirty-second note, (demi-semi-quaver).  There are also two longer notes; a half note, or minim; and a whole note, or semi-breve. 
 
The method of presentation in both tablature and musical notation also helps the notation reader, who is able to check the tablature staves to confirm which strings are being used where there may otherwise be some doubt.
POSTAGE.
Postage to UK destinations : FREE.   Postage to any country outside the UK : £1.00.
If you live outside the UK and wish to order several pieces of music, £1.00 will automatically be added on each piece at the checkout. We will immediately refund any postage over payment. Or, please feel free to email us for a postage quote prior to ordering, we will calculate the postage cost and send you a PayPal invoice for the total amount. Unlike many companies we would never exploit our customers with excessive postal charges, such practise is simply not our policy.

Every player of a fretted instrument should read BMG magazine.


Fingerstyle Banjo
Image Name Price  
KENTUCKY DAYS BY JOE MORLEY. BEST SELLER. KENTUCKY DAYS BY JOE MORLEY. BEST SELLER.
CLIFFORD ESSEX MUSIC CO. LTD The Home of the Banjo, Mandolin, Guitar and Kindred Instruments 'KENTUCKY DAYS' …
£3.00
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BANJO BOOGIE BY ALAN MIDDLETON. 'A FIRM FAVOURITE'. BANJO BOOGIE BY ALAN MIDDLETON. 'A FIRM FAVOURITE'.
CLIFFORD ESSEX MUSIC CO. LTD The Home of the Banjo, Mandolin, Guitar and Kindred Instruments  'BANJO BOO…
£3.00
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MARCHING THROUGH GEORGIA BY HENRY C. WORK. BLUEGRASS STYLE. MARCHING THROUGH GEORGIA BY HENRY C. WORK. BLUEGRASS STYLE.
CLIFFORD ESSEX MUSIC CO. LTD The Home of the Banjo, Mandolin, Guitar and Kindred Instruments 'MARCHING THROUG…
£3.00
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STEP LIVELY BY JOE MORLEY. STEP LIVELY BY JOE MORLEY.
CLIFFORD ESSEX MUSIC CO. LTD The Home of the Banjo, Mandolin, Guitar and Kindred Instruments 'STEP LIVELY' By…
£3.00
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HOE DOWN BY JOE MORLEY. ALL JOE'S SOLOS ARE TERRIFIC AND THIS IS ONE OF THE BEST. HOE DOWN BY JOE MORLEY. ALL JOE'S SOLOS ARE TERRIFIC AND THIS IS ONE OF THE BEST.
CLIFFORD ESSEX MUSIC CO. LTD The Home of the Banjo, Mandolin, Guitar and Kindred Instruments 'HOE DOWN' …
£3.00
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THE LEPRECHAUN BY JOE MORLEY. THE LEPRECHAUN BY JOE MORLEY.
CLIFFORD ESSEX MUSIC CO. LTD The Home of the Banjo, Mandolin, Guitar and Kindred Instruments 'THE LEPRECHAUN' …
£3.00
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BARCAROLLE & VALSE BY C. G. FITZPATRICK. BARCAROLLE & VALSE BY C. G. FITZPATRICK.
CLIFFORD ESSEX MUSIC CO. LTD The Home of the Banjo, Mandolin, Guitar and Kindred Instruments 'BARCAROLLE &…
£3.00
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BANJOLLITY BY JOE MORLEY. BANJOLLITY BY JOE MORLEY.
CLIFFORD ESSEX MUSIC CO. LTD The Home of the Banjo, Mandolin, Guitar and Kindred Instruments 'BANJOLLITY' By …
£3.00
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UNDER THE DOUBLE EAGLE BY J. F. WAGNER. A GREAT BANJO SOLO. UNDER THE DOUBLE EAGLE BY J. F. WAGNER. A GREAT BANJO SOLO.
CLIFFORD ESSEX MUSIC CO. LTD The Home of the Banjo, Mandolin, Guitar and Kindred Instruments 'UNDER THE …
£3.00
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GUILD MARCH BY C. G. FITZPATRICK. GUILD MARCH BY C. G. FITZPATRICK.
CLIFFORD ESSEX MUSIC CO. LTD The Home of the Banjo, Mandolin, Guitar and Kindred Instruments 'GUILD MARCH'…
£3.00
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